He sees Myrtle as more of a trophy than a human-being, and showers her with puppies, parties and such not because he loves her, but because he can afford it and wants to show off. He breaks her nose when she repeatedly says Daisy's name, which is a dead-giveaway that he doesn't respect Myrtle. Ignore it. If the person sees you are no longer reacting to it, he or she may not think it's that much fun anymore. Making you upset is part of the "fun" to them. She becomes upset because she has nothing to wear and does not want to look like a pauper compared to everyone else attending the party.
Scout was so upset by her teacher criticising Hitler because he was being racially prejudiced towards the Jewish people and Scout linked this prejudice to that of Maycomb County and the Negroes.
Scout is upset that her teacher sees it as wrong for Hitler to punish the Jews when her teacher does the same thing to Negroes within their own community. The first time he sees him is when he comes home from Tom and Myrtle's party.
At this point he doesn't know what to think of him. He finds him a little strange and he most likely assumes that Gatsby is involved in criminal activity because he is so wealthy and yet does not live in East Egg, the home of old money. In Harry Potter and the Chamber of Secrets, Moaning Myrtle describes the last thing she sees as a pair of big yellow eyes implying that the basilisk has yellow ones. When Ponyboy is conscious after the "Soc. Attack", he sees blood covering the area by the fountain he was almost drowned in and he sees Johny with his six-inch switch blade covered in blood and he sees Bob, the Soc.
He is terrified, scared and a little upset that his friend just killed someone. I think that all he sees is a red light, with anger, frustration and the hope that nothing will go wrong.
Log in. The Great Gatsby. Study now. See Answer. Best Answer. Study guides. The Great Gatsby 21 cards. What is a job role. Why is gatsby great. What was F Scott Fitzgerald famous for. He gets a bottle of whiskey to bring with them. There is a short, but crucial, argument about who will take which car. On the drive, Tom explains to Nick and Jordan that he's been investigating Gatsby, which Jordan laughs off.
They stop for gas at Wilson's gas station. Tom shows off Gatsby's car, pretending it's his own. Wilson explains the he's figured out that Myrtle is cheating on him, so he's taking her the way from New York to a different state.
Glad that Wilson hasn't figured out who Myrtle is having the affair with, Tom says that he will sell Wilson his car as he promised. As they drive off, Nick sees Myrtle in an upstairs window staring at Tom and Jordan, whom she assumes to be his wife.
It's still crazy hot when they get to Manhattan. Jordan suggests going to the movies, but they end up getting a suite at the Plaza Hotel. The hotel room is stifling, and they can hear the sounds of a wedding going on downstairs. The conversation is tense. Tom starts picking at Gatsby, but Daisy defends him. Tom accuses Gatsby of not actually being an Oxford man. Gatsby explains that he only went to Oxford for a short time because of a special program for officers after the war.
This plausible-sounding explanation fills Nick with confidence about Gatsby. Suddenly Gatsby decides to tell Tom his version of the truth—that Daisy never loved Tom but has always only loved Gatsby. Tom calls Gatsby crazy and says that of course Daisy loves him—and that he loves her too even if he does cheat on her all the time. Gatsby demands that Daisy tell Tom that she has never loved him. This crushes Gatsby. Tom starts revealing what he knows about Gatsby from his investigation.
It turns out that Gatsby's money comes from illegal sales of alcohol in drugstores, just as Tom had predicted when he first met him. Tom has a friend who tried to go into business with Gatsby and Wolfshiem. Through him, Tom knows that bootlegging is only part of the criminal activity that Gatsby is involved in.
These revelations cause Daisy to shut down, and no matter how much Gatsby tries to defend himself, she is disillusioned. She asks Tom to take her home. Tom's last power play is to tell Gatsby to take Daisy home instead, knowing that leaving them alone together now does not pose any threat to him or his marriage. Tom, Nick, and Jordan drive home together in Tom's car. The narration now switches to Nick repeating evidence given at an inquest a legal proceeding to gather facts surrounding a death by Michaelis, who runs a coffee shop next to Wilson's garage.
That evening Wilson had explained to Michaelis that he had locked up Myrtle in order to keep an eye on her until they moved away in a couple of days.
Michaelis was shocked to hear this, because usually Wilson was a meek man. When Michaelis left, he heard Myrtle and Wilson fighting. Then Myrtle ran out into the street toward a car coming from New York. The car hit her and drove off, and by the time Michaelis reached her on the ground, she was dead. The narration switches back to Nick's point of view, as Tom, Nick, and Jordan are driving back from Manhattan.
They pull up to the accident site. At first, Tom jokes about Wilson getting some business at last, but when he sees the situation is serious, he stops the car and runs over to Myrtle's body. Tom asks a policeman for details of the accident. When he realizes that witnesses can identify the yellow car that hit Myrtle, he worries that Wilson, who saw him in that car earlier that afternoon, will finger him to the police.
Tom grabs Wilson and tells him that the yellow car that hit Myrtle is not Tom's, and that he was only driving it before giving it back to its owner. Back at his house, Tom invites Nick and Jordan inside. Nick is sickened by the whole thing and turns to go. Jordan also asks Nick to come inside. When he refuses again, she goes in. As Nick is walking away, he sees Gatsby lurking in the bushes.
Nick suddenly sees him as a criminal. As they discuss what happened, Nick realizes that it was actually Daisy who was driving the car, meaning that it was Daisy who killed Myrtle. Gatsby makes it sound like she had to choose between getting into a head-on collision with another car coming the other way on the road or hitting Myrtle, and at the last second chose to hit Myrtle.
Gatsby seems to have no feelings at all about the dead woman, and instead only worries about what Daisy and how she will react. Gatsby says that he will take the blame for driving the car. Gatsby says that he is lurking in the dark to make sure that Daisy is safe from Tom, who he worries might treat her badly when he finds out what happened.
Nick goes back to the house to investigate, and sees Tom and Daisy having an intimate conspiratorial moment together in the kitchen. It's clear that once again Gatsby has fundamentally misunderstood Tom and Daisy's relationship. Nick leaves Gatsby alone. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room.
The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother's dress. Did mother get powder on your old yellowy hair? Stand up now, and say How-de-do. How are West Egg and East Egg different? What is the importance of the character Owl Eyes? Does Daisy love Gatsby or Tom? Why does Tom insist on switching cars with Gatsby when they go to the city?
Why is Nick the narrator of the story? Why does Tom bring up race so often? Why is Myrtle attracted to Tom? Some words of this conversation must have reached Wilson swaying in the office door, for suddenly a new theme found voice among his gasping cries. I know what kind of car it was! Watching Tom I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and standing in front of him seized him firmly by the upper arms.
Wilson's eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright. That yellow car I was driving this afternoon wasn't mine, do you hear? I haven't seen it all afternoon. Only the Negro and I were near enough to hear what he said but the policeman caught something in the tone and looked over with truculent eyes. It was a yellow car.
Picking up Wilson like a doll Tom carried him into the office, set him down in a chair and came back. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered "Let's get out. Self consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago.
In a little while I heard a low husky sob and saw that the tears were overflowing down his face. The Buchanans' house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor where two windows bloomed with light among the vines. As we got out of the car he glanced at me and frowned slightly. There's nothing we can do tonight. A change had come over him and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.
But I'd be glad if you'd order me the taxi. I'll wait outside. I'd be damned if I'd go in; I'd had enough of all of them for one day and suddenly that included Jordan too.
She must have seen something of this in my expression for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler's voice calling a taxi. Then I walked slowly down the drive away from the house intending to wait by the gate.
I hadn't gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time because I could think of nothing except the luminosity of his pink suit under the moon. Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn't have been surprised to see sinister faces, the faces of "Wolfshiem's people," behind him in the dark shrubbery.
It's better that the shock should all come at once. She stood it pretty well. I don't think anybody saw us but of course I can't be sure. I disliked him so much by this time that I didn't find it necessary to tell him he was wrong.
You see, when we left New York she was very nervous and she thought it would steady her to drive—and this woman rushed out at us just as we were passing a car coming the other way. It all happened in a minute but it seemed to me that she wanted to speak to us, thought we were somebody she knew. Well, first Daisy turned away from the woman toward the other car, and then she lost her nerve and turned back.
The second my hand reached the wheel I felt the shock—it must have killed her instantly. I tried to make her stop, but she couldn't so I pulled on the emergency brake. Then she fell over into my lap and I drove on. She's locked herself into her room and if he tries any brutality she's going to turn the light out and on again. A new point of view occurred to me. Suppose Tom found out that Daisy had been driving. He might think he saw a connection in it—he might think anything. I looked at the house: there were two or three bright windows downstairs and the pink glow from Daisy's room on the second floor.
I walked back along the border of the lawn, traversed the gravel softly and tiptoed up the veranda steps. The drawing-room curtains were open, and I saw that the room was empty.
Crossing the porch where we had dined that June night three months before I came to a small rectangle of light which I guessed was the pantry window. The blind was drawn but I found a rift at the sill.
Daisy and Tom were sitting opposite each other at the kitchen table with a plate of cold fried chicken between them and two bottles of ale. He was talking intently across the table at her and in his earnestness his hand had fallen upon and covered her own.
Once in a while she looked up at him and nodded in agreement. They weren't happy, and neither of them had touched the chicken or the ale—and yet they weren't unhappy either. There was an unmistakable air of natural intimacy about the picture and anybody would have said that they were conspiring together. As I tiptoed from the porch I heard my taxi feeling its way along the dark road toward the house. Gatsby was waiting where I had left him in the drive. He put his hands in his coat pockets and turned back eagerly to his scrutiny of the house, as though my presence marred the sacredness of the vigil.
So I walked away and left him standing there in the moonlight—watching over nothing. Add the eBook or print edition of The Great Gatsby to your bookshelf! SparkTeach Teacher's Handbook. Full Text Chapter 7. Chapter 7. Gatsby sick? All right, I'll tell him. Next day Gatsby called me on the phone.
I'll see. Jordan's fingers, powdered white over their tan, rested for a moment in mine. Thomas Buchanan, the athlete? Simultaneously I heard his voice, gruff, muffled, husky, at the hall telephone.
Daisy looked around doubtfully. The nurse took a step forward and held out her hand. Gatsby took up his drink. We drank in long greedy swallows. No one moved. He went inside. Gatsby turned to me rigidly: "I can't say anything in his house, old sport. Maybe you don't believe that, but science—" He paused. I want to get away. My wife and I want to go west. Where'd you pick that up? Gatsby, I understand you're an Oxford man.
Then Tom's voice, incredulous and insulting: "You must have gone there about the time Biloxi went to New Haven. But we were all looking at Gatsby. Daisy rose, smiling faintly, and went to the table. Gatsby one more question. Nobody wants a drink.
0コメント